Directed by: Edgar Wright
Starring: Ansel Elgort, Kevin Spacey, Jamie Foxx
Edgar Wright is one of the best comedic Writer/Directors working today, and he certainly doesn’t disappoint with his latest film, Baby Driver.
It’s the kind of movie probably best seen with as little knowledge about it as possible, so my very short review is to go see Baby Driver. It’s funny, fast paced and extremely well composed. It also has one of the best incorporations of soundtrack into film that I’ve ever seen.
For those who don’t care about not knowing, I’ll get into a little more detail.
My biggest criticism of Baby Driver is that it’s tonally inconsistent. The three acts are very distinct from one another, and can pretty much be judged individually. I adored the first act, I liked the second, and I really liked the third. I really want to emphasise that at no point did I stop liking it, but I feel like the differences, especially between the first two acts were quite jarring.
The first act is hilarious. It’s packed with everything I love about Wright’s style and is honestly a masterpiece of film composition. I laughed really hard. The stunt work, as well, was pretty damn fantastic.
The second act really slows down into more of a crime/action/drama. While it’s still filled with a lot of excellent film making, it’s undeniable that it’s less fun and therefore less enjoyable than its predecessor. What it lacks in comedy, it makes up for in tension, which to be fair don’t really go hand in hand, but it was just less satisfying. That said, its only real issue was that it followed the first act.
The third act breaks the tension from the second spectacularly, providing one hell of an action packed climax. The stunt driving, action and music use here are particularly excellent, and the ending is pretty satisfying.
If the film stuck to the style shown in the first act, I think it would have ended up my favourite Edgar Wright film. As it stands, it’s probably my number 3, behind Shaun of the Dead and Scott Pilgrim. It’s miles better, however, than The World’s End (and Ant-Man).
I’ve mentioned it a couple of times, but the soundtrack use was really excellent, appropriate given the importance of music to the protagonist. I’ve seen plenty of films do similar things, but Baby Driver runs with it and takes it to the nth degree. It’s awesome.
Along with the music, the cinematography and shot composition is also great, distinguishing itself from Wright’s previous films with its use of long takes, but pulls them off excellently, and never excessively. There is still plenty of the dynamic editing I’ve come to love from the director.
All the performances were good, Kevin Spacey was a little typecast I think, but worked effectively anyway. I especially enjoyed the chemistry between Ansel Elgort and Lily James.
Baby Driver is absolutely worth your time. Go see it as soon as it comes out next Thursday.